I am a multidisciplinary artist based on Gubbi Gubbi land in City of Moreton Bay, Queensland Australia. I also have experience as a multimedia designer and illustrator, having previously lived and worked on the Sunshine Coast and Brisbane. My arts practice spans new media, painting, drawing, animation, installation, and object-making – often blending handmade elements with technology. 

My practice is marked by a willingness to create across mediums, driven by experimentation and conceptual integrity. My work often explores socio-political themes through both commentary and quiet reflection, prompting conversation around media influence, activism, social agency, and other complexities of contemporary life. I have a strong use of visual metaphors and symbolism in my work and often use humour and/or interactivity as devices to critically engage audiences. There is also a strong consideration of materials within my work.

My most recent body of work and solo exhibition, Long Transient Feeling (2015, 2026) includes new media installations, animations, and 2D works that use the motif of a train as a visual metaphor for collective unease in a time of uncertainty and compounding crises. The works explore how this sense of forward motion, despite an unclear destination, intersects with issues like post-truth instability, climate inaction, and growing social divides. Partly drawing from the allegorical tradition of the Ship of Fools, I have reimagined the train as both a symbol of collective momentum and a liminal space for reflection. Melancholic, yet edged with glimmers of hope and resilience, the works consider the tension between passivity and agency – and what it means to persist in a moment of time that feels simultaneously fast-moving and fixed in the status quo.

In the last few years I have also begun engaging in public art – showing animations on the facade of buildings and designing vinyl work for footpaths.